Bauhaus Special Edition:
„To what extent is Bauhaus even possible nowadays?"
Submission
Art Style | Art & Culture International Magazine,
an online, quarterly magazine devoted to art and culture,
invites the submission of extended essays.
Deadline for the submission: May 6.
Scheduled publication: June 2019.
The essays in this issue will focus on the style of modern art, architecture, and design from the Bauhaus School in Germany (Weimar, Berlin, and Dessau), based on a brief centennial panorama of the school, which still exerts influence in new compositions worldwide. This avant-garde School of Arts is a reference for cultural production as well as industrial and technological development and their relationship with art, not only through the development of forms but also through aesthetic and cultural transformations. On the whole, this issue will highlight the importance of the functionality that emerged from the Bauhaus legacy, as well as the international influence of globalized production on architecture and design.
Considered in this special edition – among the most important influences of the Bauhaus centenary – are the architect Walter Gropius; the first teacher of the Bauhaus, Johannes Itten; and the visual artists Josef Albers, Paul Klee, Wassily Kandinsky (including the abstraction of Klee and Kandinsky related to music), Lyonel Feininger, and Marcel Breuer as well as the textile artists Gunta Stölzl and Anni Albers, also Marianne Brandt, the painter and theater designer Oskar Schlemmer, and the photographer Laszlo Moholy-Nagy, all together in their variety of artistic activities. Additionally, included are Mies van der Rohe, the last director of Bauhaus in Berlin, and Hannes Meyer—for whom form must follow function so that the aim “Form follows Function” was intensified. Working together under the name of Bauhaus in a wing of the modernist era, these individuals were representatives of this German School of Arts. Although they are relevant throughout history, they remain an open issue in art, architecture, and design, addressing the following question: To what extent is Bauhaus even possible nowadays?
For more information, please see: artstyle.international.
„To what extent is Bauhaus even possible nowadays?"
Submission
Art Style | Art & Culture International Magazine,
an online, quarterly magazine devoted to art and culture,
invites the submission of extended essays.
Deadline for the submission: May 6.
Scheduled publication: June 2019.
The essays in this issue will focus on the style of modern art, architecture, and design from the Bauhaus School in Germany (Weimar, Berlin, and Dessau), based on a brief centennial panorama of the school, which still exerts influence in new compositions worldwide. This avant-garde School of Arts is a reference for cultural production as well as industrial and technological development and their relationship with art, not only through the development of forms but also through aesthetic and cultural transformations. On the whole, this issue will highlight the importance of the functionality that emerged from the Bauhaus legacy, as well as the international influence of globalized production on architecture and design.
Considered in this special edition – among the most important influences of the Bauhaus centenary – are the architect Walter Gropius; the first teacher of the Bauhaus, Johannes Itten; and the visual artists Josef Albers, Paul Klee, Wassily Kandinsky (including the abstraction of Klee and Kandinsky related to music), Lyonel Feininger, and Marcel Breuer as well as the textile artists Gunta Stölzl and Anni Albers, also Marianne Brandt, the painter and theater designer Oskar Schlemmer, and the photographer Laszlo Moholy-Nagy, all together in their variety of artistic activities. Additionally, included are Mies van der Rohe, the last director of Bauhaus in Berlin, and Hannes Meyer—for whom form must follow function so that the aim “Form follows Function” was intensified. Working together under the name of Bauhaus in a wing of the modernist era, these individuals were representatives of this German School of Arts. Although they are relevant throughout history, they remain an open issue in art, architecture, and design, addressing the following question: To what extent is Bauhaus even possible nowadays?
For more information, please see: artstyle.international.